Intensive Advanced Professional Acting Training (PGIP)

is equivalent in level to Post Graduate study: the training is designed for those from any background who have the capacity, ability and motivation to enter the Industry.

Download course-information and an application form for the PGIP programme PGIP programme in more detail
Scholarship information

Audition dates

Bacchus summons the Bacchantes

Bacchus summons the Bacchantes

The programme involves around 30 hours of intensive classes and rehearsal exercises per week, taught by top-level specialist coaches each with extensive professional experience.

Bacchantes

Bacchantes

Plays are presented at the conclusion of the final two terms. During the fourth term, from September to December of Year Two, students continue with regular advanced-level classes, Industry events and intensive rehearsals tailored towards a high-profile industry showcase, and a range of further performance opportunities, which continue after the conclusion of the formal training.

Pentheus and Bacchus

Pentheus and Bacchus

We take only a single cohort of Intensive-Route acting students each year, to provide a focussed training designed to bring out individual strengths, and we welcome applications from people from a wide variety of previous backgrounds and experience.

Agave in the Bacchae

Agave in the Bacchae

The programme is tailored towards the unique mix of talent drawn to our centrally-located Studio from across the UK, Europe and beyond. We have excellent links with UK and European Casting Directors, as well as a new base in New York, and offer many opportunities to showcase talent on a wider scale as well as within the UK.

We also offer an ACTOR/DIRECTOR’S route and an ACTOR/PROFESSIONAL INSTRUCTOR’s route, explained in more detail below.

THE COURSE IN MORE DETAIL:
At the heart of everything is the acting class. Here participants learn the Methodological technique, influenced by the work of Uta Hagen, Stella Adler and Lee Strasberg.
Students explore in depth the Laban/Jungian transformative Character Analysis technique of Yat Malmgren that has distinguished the Drama Centre worldwide as a centre for acting excellence, including masterclasses with the man who launched the Drama Centre, Christopher Fettes, as well as leading practitioner Giles Foreman.

Yat workshop with Giles

Yat workshop with Giles Foreman

Meisner feedback from Dannie Lu Carr

Meisner feedback from Dannie Lu Carr

Participants have regular Meisner-technique, and a range of Voice-work, Movement and Movement-Psychology classes led by renowned teachers including Liana Nyquist and Janet Amsden plus Ballet and Period Dance with Glen Snowden. On-Camera classes, Stage and Film fight-skills, meetings with a range of top Industry Professionals, and unique industry-related opportunities arise throughout the programme. Rehearsal scenes and showings are built around classical repertoire as well as contemporary film and theatre texts, and take place throughout the course. At the end of terms Three and Four there are public performance opportunities, as well as an industry-acclaimed showcase in Term Four.

ACTOR/DIRECTOR ROUTE:

Chekhov directed by Colin Tierney

Chekhov directed by Colin Tierney

Directing demands multiple skills and personality traits. It requires intellectual abilities, intuition and access to emotions. A capacity to work with many different types of artists – actors, writers, designers, musicians and production staff. This course is designed to help the student develop an understanding of technical and creative theatre skills, and places particular emphasis on gaining experience of the acting process as part of the acting cohort. From term 2 onwards, Actor/Directors direct scenes and plays; they build their understanding of how to work with actors in rehearsal; plus theoretical study and business skills for fundraising and forming their own companies. In the fourth term there is a short work placement, assisting a professional theatre director. They are tutored by Sue Dunderdale, a renowned director of theatre, television and film. She has immense experience of running workshops with directors, actors and writers, and of training students – she was previously Head of RADA’s MA courses in Directing; in Text and Performance and in training actors ‘MA Theatre Lab’.

Play-reading in session

Play-reading in session

ACTOR/PROFESSIONAL INSTRUCTOR ROUTE:
This is designed for those individuals who might wish to develop as a professional acting coach. It develops an understanding of a range of theories and approaches to the art of acting. From term 2, Actor/Instructors are tutored by Giles Foreman with a focus on all the above. In term 3 they assist him and other coaches in a series of classes and workshops. In the final term they are assessed on a workshop that they design and deliver to an invited student body. They are offered advice on gaining employment in the field.

FOLLOW-ON:
Following the course, we offer continued membership of the studio to successful graduates of our full-time programmes to help them sustain their development in the period following full-time training. To date, they have already achieved huge successes*, and 60 – 70% of our acting alumni are regularly acting.
* Short-film Stutterer, involving post-graduate alumnus Richard Mason, won the Oscar for Best live-action short film at the 2016 Academy Awards.

Richard Mason in Leaves of Glass

Richard Mason in Leaves of Glass

Marie-Helene Boyd in Scorched

Marie-Helene Boyd in Scorched

FINANCES:
For 2017 entry, the four-term (15 month-programme) fee is £11,900 – still under £9,000 per year. This is an incredibly advantageous rate for such an intensive taught curriculum, and is considerably more affordable than other institutions – we are able to do this because we are an independent organisation.
We are registered with the Professional Career Development Loan scheme, and also offer payment plans for fees, either termly or by monthly bank transfer. We offer one half-scholarship each year.

Amphitryon

Amphitryon

Amphitryon

Amphitryon

HOW TO APPLY:
For each September entry, auditions are offered between November and July. All dates are listed on the front-page Post on the website: Dates and special events coming up.
The Intensive Actor:Director 16-month programme in detail is available to download – email it back to us and we will book you in, with full details on what we would like to see. There is an audition fee of £30.

In brief, our panel ask to see a classical and a modern monologue, and provide opportunities for exploration and for feedback in the session. We audition all applicants, and aim to advise on the result promptly.
Auditions are held at our Dean Street base, Studio Soho.